The film starts off pretty in a standard way; a family goes to their vacation home for relaxation, but are soon forced to play sadistic "games" by two psychotic yuppies. What may sound like a by-the-books home invasion film is really a darkly comic, extremely disturbing film with an actual message about violence.
The story is quite different from other home invasion movies. The yuppies make their way into the family's home and slowly become more and more aggressive. Their petty acts finally escalate and they end up breaking the husband's leg. The family realizes that the yuppies aren't just pulling a prank, and things get serious. The two psychos have a sit down with the family and make a bet; they bet that the family will be dead in 12 hours, and they force the family to bet the opposite. Let the games begin.

The "games" they play are cruel and perfectly staged. Whether it's a game of hot and cold gone bad, or a simple guessing game, they're all twisted and set up with deranged glee by the yuppies. You can tell these guys are just doing it for fun, and that's what makes this film so disturbing. Even when they break the fourth wall (something reserved usually for comedies) it's just as sick as what's happening within the plot. This should be tongue in cheek, but it's the polar opposite.
Not only do the captors play games with the family, but Haneke plays games with the audience as well. Breaking the fourth wall puts us right there in the house, watching these terrible events unfold. We are truly at the mercy of the director, and he doesn't play nice. Another thing Haneke does is hide the violence. Nothing violent actually happens on screen (well nothing real, anyways), and that really makes things interesting. In a movie like this, you're waiting for some kind of payoff, whether it's the demise of the victims or the villains. Haneke never gives us this payoff, making you think of how you watch films. It's a great way to be stylish and disturbing, while getting your message across at the same time.
This film is clever, darkly (and I mean DARKLY) comic, and disturbing with style to spare. Michael Haneke's 'Funny Games' should not be missed. Now, shall we begin?